The last couple of months has found me working intensely on a piece for 4 oboes, 3 English horns and percussion, or as I affectionately referred to it, music for 7 oboes and gongs.
The piece first came about when my college cohort, Amanda Pochatko (pictured left), asked me if I would be interested in being part of an alumni recital performance at Boise State University. My involvement would be playing English horn, reprising a duet "Shepherds of Provence," and composing a new piece for an ensemble of our colleagues.
I set to work, with the premiere date set for April 5, 2016 at Boise State University's Recital Hall space in the Morrison Center for Performing Arts.
One of the first things I did was make a lot of reeds!
It was a lot of fun to explore the landscape of Unraveling Night, the title of which eluded me for days. Normally I start with a conceptual title that is very close to what is settled upon when it is finally ready to print. This time, I had a text document full of various words that described the piece, but it took days to label the right feeling.
I like what unraveling connotes: a physical or emotional act of breaking down, or eroding, but also solving a problem, and gaining an understanding. It is two things at once. And night is, well, night. The night we all know, fear, and embrace. Two things at once.